Life and
works
Mary
Shelley, born in 1797, was the only child of Mary Wollstonecraft, the famous
feminist, and William Godwin, a philosopher and novelist. Mary’s parents were
instrumental in shaping the Romantic sensibility and the revolutionary ideas of
the time and from an early age she was surrounded by famous philosophers,
writers, and poets. She met Coleridge when she was only two years old. Mary’s
early years were influenced by a macabre Gothicism. Almost every day she would
go with her father to ‘St. Pancras churchyard where her mother was buried.
Godwin taught Mary to read and spell her name by having her trace her mother’s
inscription on the stone. At the age of sixteen Mary ran away to live with the
twenty-one-year-old poet Percy Shelley. Although she was banished from
society, even by her father, this inspirational liaison helped her to produce her
masterpiece, Frankenstein, when she was
only nineteen.
The idea for the book was conceived during one of the most famous house parties
in literary history when staying at Lake Geneva in Switzerland with Byron and
Shelley.
Later, the
couple decided to get married. Fierce public hostility drove them to Italy
where they were initially happy but where their two young children died. Mary
never fully recovered from this trauma, and when she was only twenty-four,
Percy Shelley drowned, leaving her penniless with a two-year-old son. Poverty
forced her to live in England which she despised because of the conformism and
social system. She was ignored by conventional circles and worked as a
professional writer to support her father and her son. Her milieu, howewer,
included literary and theatrical figures, artists, and politicians. Her other
works included The Last Man (1826) which
tells the story of the end of humanity, wiped out by a plague, and of the only
survivor. Mary became an invalid at the age of 48. She died in 1851 of a brain
tumour.
Focus on
the text: Frankenstein
The story
concerns a brilliant scientist, Victor Frankenstein, who believes he has
discovered the secret of generating life and decides to create a living being from parts of dead
bodies. However, the creature he generates turns out to be a destructive
and homicidal monster who is beyond his control. The novel can be
seen as a
critique of male rationalism and of the idea that science can reveal
all the secrets of the universe.
Through the
figure of the mad scientist, Frankenstein, Mary Shelley shows us the irrational
desires which lie behind supposedly rational scientific enquiry. Frankenstein gives us the first
indication of the repressed side of the 19th century. The novel is
subtitled The Modern Prometheus,
referring to the
myth of Prometheus who stole fire from the Gods and gave it to
mankind. As a punishment, he was chained to a rock where an eagle ate his
liver.
Frankenstein is structured as an epistolary novel and also
includes aspects of Chinese-box narration. The narrator is an explorer who
meets the scientist Frankenstein, now a mad and dishevelled figure, shortly
before he dies. He is, Frankenstein explains, hunting the monster he has
created, chasing it around the earth. But the novel is much more sophisticated
than an ordinary Gothic romance. At a certain point the perspective shifts to that of the
monster and we gain an insight into how an ostensibly innocent creature is
corrupted by a hostile society to the point where he swears revenge.
Above all, Frankenstein is a novel about the mystery of
creation in all its forms and warns of the
dangers of interfering with the natural order.
Source: Thomson
– Maglioni, Literary Links. Literature in time and space, Cideb, an old Italian
book 2000.
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