Advertising
is a strategy to persuade people to do something (to buy a product, to use a
product, to elect a politician). In this sense it is a kind of magic.
For some
analysts, advertising is a kind of magic. Raymond Williams in Problems in Materialism and Culture,
(UK: Verso, 1980) argues that it has the ability to ‘associate consumption with
human desires to which it has no real reference. The magic obscures the real
sources of general satisfaction because their discovery would involve radical
change in the whole common way of life’. Judith Williamson in Decoding Advertisements (UK: Marion
Boyars, 1978, 1998) shares a similar concern: ‘Advertisements obscure and avoid
the real issues of society, those relating to work, to jobs and wages and who
works for whom. The basic issues in the present state of society which do
concern money and how it is earned, are sublimated into ‘meanings’, ‘images’, ‘life-styles’,
to be bought with products not money’. Further the magic of advertising means
that we may believe commodities can convey messages about ourselves; this leads
to us being ‘alienated from ourselves, since we have allowed objects to “speak”
for us and have become identified with them’. Such alienation may well lead to
feelings of fragmentation and discomfort within the self, feelings which may
fuel a desire to seek solace in further consumption.
The many
modes of advertising may be categorized as follows:
(1)
Commercial consumer advertising, with its target the mass audience and its Channel the mass media.
(2) Trade
and technical advertising, such as ads in specialist magazines.
(3)
Prestige advertising, particularly that of big business and large institutions,
generally selling image and good name rather than specific products.
(4) Small ads,
directly informational, which are the bedrock support of local periodicals and
are the basis of the many giveaway papers which have been published in recent
years.
(5) Government
advertising — health warnings, for example.
(6) Charity
advertising, seeking donations for worthwhile causes at home and abroad.
(7)
Advertising through sponsorship, mainly of sports, leisure and the arts. This
indirect form of advertising has been a major development; its danger has been
to make recipients of sponsorship come to rely more and more heavily on
commercial support. Sponsors want quick publicity and prestige for their money
and their loyalties to recipients are very often short-term.
Source: Dictionary
of Media and Communication Studies, fifth edition, James Watson and Anne Hill,
Arnold, A member of the Hodder Headline Group LONDON Co-published in the United
States of America by Oxford University Press Inc., New York.
No comments:
Post a Comment